不能致敬波洛以及阿加莎·克里斯蒂的野泽尚开始准备致敬另一个著名侦探形象——夏洛克·福尔摩斯。
在他查阅的资料里，福尔摩斯和他的作者柯南道尔以及现实中真实存在于伦敦的连环杀人狂开膛手杰克都是一个时代的。
这让他产生了把虚拟人物和现实中不知道真实身份的人物结合在一起的想法，而游戏正好能帮助他建设这样一个世界。
于是跨时代的游戏主机“茧”以及以19世纪伦敦和开膛手杰克为背景的游戏确定了下来，之前被枪毙的火车戏份被野泽尚写进了故事结尾的高潮处。
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